<p class="MsoNormal" style="text-justify: inter-ideograph; text-align: justify; margin: 0in 0in 0pt; tab-stops: 2.8pt 22.6pt 56.6pt 85.0pt 113.3pt 127.5pt 141.7pt 155.85pt 170.0pt 181.35pt 198.4pt 212.55pt 226.7pt 240.9pt 255.05pt 272.1pt 283.4pt;"><span style="font-size: 11pt; mso-ansi-language: ES-TRAD;"><span style="font-family: Times New Roman;">Este cuarto tomo ampl&iacute;a los l&iacute;mites de la colecci&oacute;n <em>Cuba detr&aacute;s del tel&oacute;n</em> y de su recorrido por la dramaturgia cubana de los a&ntilde;os sesenta. Completa la trayectoria an&aacute;litica que ha venido realizando de la obra de Virgilio Pi&ntilde;era e interpreta con minuciosos an&aacute;lisis las obras de Jos&eacute; Triana, Abelardo Estorino, Nicol&aacute;s Dorr, David Camp, Eugenio Hern&aacute;ndez Espinosa y otros autores que representaban lo mejor de esa d&eacute;cada en la isla. Pero tambi&eacute;n lleva a efecto un an&aacute;lisis de la dramaturgia del exilio, frecuentemente marginada, con el an&aacute;lisis de las obras de Ren&eacute; Ariza, Leopoldo Hern&aacute;ndez, Julio Matas, Manuel Pereiras, Jos&eacute; Corrales, Iv&aacute;n Acosta, Ren&eacute; Alom&aacute;, Jorge Valls y del propio Mat&iacute;as Montes, dando una muestra de la nueva dramaturgia cubana que se va consolidando fuera del expacio insular.<br /></span></span></p>
<p class="MsoNormal" style="text-justify: inter-ideograph; text-align: justify; text-indent: 2.8pt; margin: 0in 0in 0pt; tab-stops: 2.8pt 22.6pt 56.6pt 85.0pt 113.3pt 127.5pt 141.7pt 155.85pt 170.0pt 181.35pt 198.4pt 212.55pt 226.7pt 240.9pt 255.05pt 272.1pt 283.4pt;"><span style="font-size: 11pt;" lang="EN-US"><span style="font-family: Times New Roman;"><br />This fourth volume expands the boundaries of the collection and its journey through the history of Cuban theatre during the decade of the sixties. It complete the author</span></span><span style="font-family: &quot;WP TypographicSymbols&quot;; font-size: 11pt; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman'; mso-char-type: symbol; mso-symbol-font-family: 'WP TypographicSymbols';" lang="EN-US"><span style="mso-char-type: symbol; mso-symbol-font-family: 'WP TypographicSymbols';">=</span></span><span style="font-size: 11pt;" lang="EN-US"><span style="font-family: Times New Roman;">s analytical research of the works of Virgilio Pinera and delves into the works of Jose Triana, Abelardo Estorino, Nicolas Dorr, David Camp, Eugenio Hernandez Espinosa and other authors that represented the best of that decade in Cuba. It also puts into effect an analysis of the dramatic works produced by Exiled Cubans, often marginalized, with the analysis of the works of Rene Ariza, Leopoldo Hernandez, Julio Matas, Manuel Pereiras, Jose Corrales, Ivan Acosta, Rene Aloma, Jorge Valls, and the author himself, giving a sample of the new Cuban drama that is being consolidated outside the insular space of the Cuban island.</span></span><span style="mso-ansi-language: ES-TRAD;"></span></p>